PRE-ORDER DISCLAIMER
- By placing an order for this item you acknowledge that shipping of this item is estimated to start on or around release date: NOVEMBER 20th 2026. Please keep in mind that all pre-order dates are subject to change.
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If you order this with other available items, your order will dispatch once all items are available. If your pre-ordered items are holding your package from arriving please email us with a request to ship the in-stock items and pre-orders when they become available, additional shipping charges will apply.
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Seam splits on record jackets are a common occurrence with vinyl: we cannot issue refunds or replacements for seam splits. We use sturdy mailers and stiffeners to minimise risk but to 100% avoid seam splits, we have added a notes section at checkout where you can request jacket-less shipping, or you can email us after placing your order — we’ll gladly accommodate this free of charge.
DESCRIPTION
The “Pimpalation” CD by Pimp C was released in 2006 on Rap-A-Lot and marks the UGK rapper’s second solo album following his release from prison. On “Pimpalation,” Pimp C works with a range of prominent peers; featured by name are Bun B, Lil’ Keke, Slim Thug, Mike Jones, MJG, Lil’ Boosie, Webbie, and Jagged Edge. Producers such as Jazze Pha, Mannie Fresh, Myke Diesel, and Beatmaster Clay D provide the instrumental backdrops, shifting between hard-hitting club arrangements and more melodic, R&B-influenced passages.
Musically, “Pimpalation” combines characteristic elements of the Southern U.S. hip-hop scene with catchy hooks and densely packed guest features; the opening track “I’m Free” weaves in a well-known guitar motif as a sample-based element and, together with the singles “Pourin’ Up” and “Knockin’ Doorz Down,” serves as a clear statement of Pimp C’s return. The CD includes both street-ready, aggressive tracks and smoother cuts such as the duet with Jagged Edge, highlighting the breadth of “Pimpalation.” With this album, Rap-A-Lot releases a project that keeps Pimp C’s voice firmly at the center while also documenting his deep connections within the Southern rap scene of that era.